You don't get ahead by being lost in the crowd, as some business person or lifestyle coach has inevitably said at some time. It's as true in the vacuous world of “lifestyle gurus” as it is in comics.
At the time of writing there are [ ... ]
Learning to draw humans is one of the entry-point skills you will need if you are going to be a success at making webcomics. [ ... ]
Sometimes, people decide to give this webcomic lark a try for themselves. If you fall into that camp, welcome to the club. Let's discuss how to make a web comic so you can get started as soon as possible. [ ... ]
In this second part of our buffer debate, Zoë Kirk-Robinson argues in favour of getting a few episodes under your belt before launching your new webcomic. [ ... ]
In this, the first of a two-part debate, guest writer Drowemos Eseotevahi of Exiern comes not to praise buffers but to bury them. [ ... ]
There are several methods of scripting a comic and today we're going to look at the main three styles that crop up again and again in the word of webcomics. [ ... ]
Webcomics fall into two general categories: those who use backgrounds, and those that look bland. It's time to develop an eye for scenery. [ ... ]
There is a phenomenon whispered about in the corners of conventions; with furtive glances toward the unsuspecting subjects of the con-goer's ire... [ ... ]
If you create a rich and detailed world in which to set your fantasy story, it becomes more believable, and keeping a record of all that you decide about your world means you can be consistent [ ... ]
There's no one shot, step by step draw better guide that can be downloaded and which will guarantee a buttload (metric or imperial) of fantastic art without effort [ ... ]
More Featured Posts
You don't get ahead by being lost in the crowd, as some business person or lifestyle coach has inevitably said at some time. It's as true in the vacuous world of “lifestyle gurus” as it is in comics.
At the time of writing there are ...
[Read More]
If you're going to be drawing webcomics, one of the things you will almost inevitably have to do at some point is draw a person. Since we are surrounded by people (or images of people at the very least) every day, we have become very good a...
[Read More]
Webcomics are everywhere these days, and they come in all shapes and sizes to suit all kinds of tastes. Some of them make the process of creating a webcomic look easy, and some have such stunning artwork that many people (including people a...
[Read More]
Yesterday our guest writer, Drowemos Eseotevahi of Exiern, gave a considered argument against worrying about putting together a buffer when planning your comic. Today I'm here to argue for the humble buffer, and to explain why you really do...
[Read More]
Today's article is the first of a two-part debate. Guest writer Drowemos Eseotevahi of Exiern presents his views on why webcomic writers and artists don't need a buffer. Tomorrow, I present the opposing view. It's up to you to decide which ...
[Read More]
In his notes accompanying the extras in The Sandman Library III: Dream Country, Neil Gaiman talks about how he learned the basics of comic scriptwriting from Alan Moore; who explained the process on “one side of notebook paper”. The rea...
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